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Saturday, July 23, 2011

Casinos Of The World; Land Based And Online Casinos



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Punters, here's 10 of the world's top land based casinos for you to mark down in your travel plans.

Monte Carlo, Monaco: Perched above the Mediterranean and bounded by the French
and Italian coastlines on either side, Monaco provides a spectacular and luxurious setting for the wealthy and the wannabees. Home to the Monaco Grand Prix and the legendary Casino de Monte Carlo, this isn't the place for those on a tight
budget. The magnificent Casino hosts the annual European Poker Tour and was also the scene of several James Bond Films, including the original "Casino Royale" and "Golden Eye".

Paradise Island, Bahamas: Located just off the shore of the city of Nassau, Paradise
Island is best known for its sprawling 'Vegas-by-the-sea' resort, Atlantis. The resort spans seven acres along a lagoon, where guests can soak up the Caribbean sun and choose from a variety of outdoor gaming areas. When in need of a break from
the tables, guests can enjoy the private beach or one of the resorts 20 sunlit pools.

Melbourne, Australia: As Australia's sporting and entertainment capital, Melbourne
offers the perfect option for high rollers looking for a local break. Aussies need look no further than Crown Casino on the southern bank of the Yarra River, which is one of the largest casino complexes in the southern hemisphere. The main gambling
floor stretches more than half a kilometre and the casino was the first to introduce the new game Rapid Roulette, which allows players to place bets on a personal electronic touch screen connected to a central roulette wheel.

Macau, China: Known as the 'Monte Carlo of the Orient,' and the gambling capital of Asia, Macau now rivals Monaco and Las Vegas as one of the premier gambling destinations in the world. With no less than 33 casinos, in addition to local horse and greyhound racing venues, Macau is perfect for the betting junkie. The Wynn Macau
casino is a standout, highlighted by 24-carat gold 'Tree of Prosperity' at the entrance, extravagant water displays and Moon Jellyfish Aquarium at reception.

Baden-Baden, Germany: Situated on the western foothills of the Black Forest and on
the banks of the Oos River, Baden-Baden is not your typical casino town. However, in addition to its hot springs and picturesque countryside, the town is also known for its 200-year-old 'Spielbank' casino - the oldest of its type in Germany. With French chateau-style salons rooms named after historical figures such as Madame Pompadour and Louis XV's mistress, the quirky casino provides visitors with a very unique
gaming experience.

Las Vegas, United States: With over 1700 licensed casinos in operation, Las Vegas
offers the ultimate package for travellers who fancy a flutter. A visit to the famous 'Strip' is a must for any player, whether they're looking for a spin on the roulette table or a game of blackjack - this city has it all. The iconic Caesar's Palace
hotel and casino offers 129,000 square feet of casino space plus an endless smorgasbord of entertainment, shopping and fine dining options, including Cleopatra's barge, a floating lounge perfect for a relaxing drink after a jam-packed night on the
casino floor.

Manila, The Philippines: With a favourable exchange rate, Manila provides great value
for Aussies wanting to live the high-life overseas. The city offers a range of shopping and entertainment options, along with a world-class casino at the Hyatt Hotel. Spread across three levels, the sparkling casino offers the newest in gaming
facilities for both hotel guests and visitors, and is just a short distance from Manila's tourist hub.

Sun City, South Africa: Known as 'Africa's Kingdom of Pleasure,' this luxury resort
and casino complex, just two hours from Johannesburg, boasts two large casinos, two 18-hole golf courses and a wildlife reserve. At the extravagant yet picturesque Palace of the Lost City, guests are treated to stunning valley views from the guestrooms, along with exclusive access to the Grand Pool. The nearby Sun City Casino is the entertainment Mecca of the resort, featuring a myriad of gaming options as well as an indoor jungle of native foliage and water fountains.

Atlantic City, United States: Regarded as the US's 'Las Vegas of the East', Atlantic City in New Jersey is renowned for its gambling, shopping and fine dining. Towering above the banks of the Atlantic Ocean, the Trump Taj Mahal casino is an icon of the city, with an on-site shopping district and an abundance of restaurants and bars. The
157,000 square-foot casino is also hard to miss, with 3,500 slot machines and 200 table games. Unveiled in 1990 by a number of celebrities, including the late Michael Jackson, the casino is the second-largest in Atlantic City and well worth a visit.

Genting Highlands, Malaysia: Nestled on the Titiwangsa mountain range, just an hour's
drive from Kuala Lumpur and 6,000 feet above sea level, the Resorts World Genting offers 360-degree views of the surrounding countryside. This spectacular resort has first-class accommodation, dining and entertainment, while avoiding the hustle and bustle of a capital city. The on-site casino, which covers 200,000 square feet, is Malaysia's sole gaming venue and is divided into separate themed areas, such as Hollywood and Monte Carlo, for the ultimate gambling experience.

Online Casinos:

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VirginCasino.com : Virgin Casino is part of Virgin Games. The parent company is Virgin Enterprises Limited, the creation of the world's most famous and celebrated entrepreneur, Sir Richard Branson. Unfortunately the casino does not accept players from many countries due to what is known in legal circles as "grey areas". Most European players can play, but no Americans, Canadians, Australians or New Zealanders.

Captain Cooks Casino : Was once a very popular online casino with Australians and New Zealanders, however we understand these days they can only accept players from a few regions such as Europe, South Africa, Canada and South America.

PKR : Once only a 2D online poker room, they are now more 3D and offer online poker and a good range of online casino games, including classics, Marvel slots and table games.

Media Man's top online casino choice: PartyCasino.com PartyCasino is a multi-time Media Man 'Online Casino Of The Month' winner and have also won awards from EGR. Earlier this year PartyGaming merged with Bwin to create the worlds leading igaming company, Bwin.Party Digital Entertainment.

News

Playtech Signs Gala Coral Contract, Acquires Mobile-Bet Company...


Playtech Ltd, the Internet gambling software maker and content developer which has a joint venture with William Hill Plc (WMH), said it signed a long-term contract with Gala Coral Group Ltd., and acquired Mobenga AB, a mobile-phone sports-betting company.

Playtech will pay as much as 15.8 million euros ($22.4 million) for Mobenga, the Isle of Man-based company said in a statement. Playtech also said second-quarter revenue rose 7 percent to 39.6 million euros over the same period a year earlier, led by online casino games.

Gala Coral, which has 2,000 betting shops in the U.K. and Italy, should become one of Playtech’s top three clients within a year after its software is transferred, in 2012, Playtech’s Chief Executive Officer Mor Weizer said in a telephone interview. Mobenga will help Playtech expand in mobile telephone gambling, which generates 30 percent of bets for some companies, he said.

“This is a very important win for us,” Weizer said. “We already have most of the established operators in the U.K., and Gala Coral we were after for a long time.”
Playtech gained 18.25 pence, or 5.4 percent, to 356.75 pence at 8:47 a.m. in London, after earlier rising as much as 6.3 percent. The shares have fallen 16 percent so far this year, giving the company a market value of 866.3 million pounds.

Stockholm-based Mobenga will give Playtech the ability to combine sports-betting, casino and poker games in one mobile- phone application, Weizer said.

Playtech generates more than 10 million pounds ($16.1 million) from its biggest client, Imperial E-Club Ltd., Weizer said.

‘Players’

Most of the company’s clients attract players through sports, though they make most of their money through games, so they’re always seeking to convert sports betters to game players, he said.

Second-quarter casino revenue gained 9 percent to 27.3 million euros, and bingo sales increased 32 percent to 3.6 million euros, the company said.

Poker sales dropped 32 percent to 5 million euros, the company said. The poker business declined even though the U.S. charged founders of online poker companies still accepting games in the country with money laundering in April.

Weizer said the companies still had cash to lure poker players. Poker numbers have been “picking up” since the end of June, when one of the companies stopped play, he said. Full Tilt Poker, then the world’s second-biggest poker site, lost its license from Alderney on June 29.


PartyCasino Gets New Games...

Aztec Gold, Atomic Fruit, Nag's To Riches and Fairies Forest. Check out the new games here.

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Friday, July 22, 2011

Wrestling News Media: CM Punk Storyline Expected to Continue Outside WWE, by Greg Tingle - July 2011

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Pro wrestling aka "sports entertainment" continues to go through one of the most interesting and "insider" focused periods in many years, with many commentators saying that WWE is finally getting back to its "Attitude Era", which "Stone Cold" Steve Austin spear headed so successfully, under the direction of WWE top brass Vince McMahon.

A Media Man spokesperson said "WWE is most assuredly getting back to some of the edgy and insider stuff that the WWE Attitude era was based upon. How much the strategy pays off from a financial perspective is yet to be see, however its certainly a popular development with hardcore and long time fans who missed the edgy and inside angles."


CM Punk...

WWE is attempting to continue the CM Punk storyline in such a fashion that, while his name and likeness are banned from WWE television, they're attempting to get Punk booked on late-night talk shows and other news-grabbing entities. The idea is that Punk will continue to taunt WWE with their own world title while WWE tries to, in story, forget that he exists.

WWE ring announcer Justin Roberts informed fans before the start of Raw that there was a ban on chanting Punk's name. As you would expect the fans chanted it anyway several times during the show.


John Laurinaitis Talent Relations...

WWE is looking to hire someone with a sports background to groom for working in talent relations. There is lots of discussion within WWE about John Laurinaitis and his long-term future with the company. It’s no secret that Triple H isn’t a fan of Laurinaitis and Laurinaitis has always been compared in a negative way to Jim Ross when it comes to talent relations. It was discussed after Money in the Bank that Laurinaitis may be established as a new TV character, similar to how Patterson and Brisco were to Vince McMahon years ago.


Kevin Nash...

Kevin Nash is reportedly is signed to a different WWE Legends deal than everyone else. Usually the Legends deals are that you make a percentage of the revenue your name and likeness generate, and they pay you a small amount of per year as a retainer of sorts. Nash is receiving a significant amount of money. Nash is said to be frustrated because he thought the reaction he got at the Royal Rumble would lead to something else on TV.

Bruno Sammartino...

A documentary on the life of wrestling legend Bruno Sammartino will be completed in September, after being worked on for years. A feature film is also being worked on but they're still in the raising money stages because Sammartino insists on doing it as an independent release, so studios don't "Hollywoodize" it up. The movie is being done by Home Alone's Scott Rosenfelt and Sammartino is meeting with Liar, Liar writer and former WWE writer Paul Guay this week about working on the project.


Vince McMahon Meets With UFC's Dana White Re Brock Lesnar...

Dana White recently appeared at WWE Headquarters in Stamford, Connecticut to meet with WWE Chairman Vince McMahon. White and McMahon meet regarding Brock Lesnar, who is a currently employed with the UFC.

Paul Heyman, Lesnar’s good mate, orchestrated something between the MMA and wrestling organizations and they had one of their first meetings together regarding the upcoming DVD that will feature the former WWE and UFC Champion. The project reportedly will be a mutual project between WWE and the UFC. There are currently no talks of Heyman or Lesnar returning to the WWE anytime in the near future.


Ric Flair Continues Promoting NC Lottery Deals And Selling Goods Online...

Ric Flair official online store
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Ric Flair - Media Man Int profile
http://www.mediamanint.com/profiles/flair.html


Professional wrestling returns from the 80s - 22nd July 2011 - Stuff.co.nz...

Slammin', bashing and bad-mouthing. The spectacle that is professional wrestling is closer than you think and very much alive and kicking in New Zealand.

Ex-pro wrestler and Kiwi Pro Wrestling boss, Rip Morgan, knows the industry well and how hard it is to break into.

The last New Zealanders to wrestle for the World Wrestling Entertainment (formerly WWF), were The Bushwhackers - Luke Williams and Rip's uncle, Butch Miller - 15-years-ago.

"We do have a lot of good athletes here in New Zealand, but it's very hard to get into the business."

Four KPW wrestlers and two Australians recently had try-outs in front of WWE talent scouts in Sydney, Australia.

Shane "The Technician" Whitehead was one of them.

"In this business you don't call them, they call you, so I just have to cross my fingers and hope for the best."

Shane's one of many passionate performers hoping to wow the crowd at KPW's "True Mana" at the Wellington High School tonight.

It's a whole other world from their day-jobs.

"By day I work a nine-to-five job in an office, sitting at a computer all day," said Tane Kaiwai, or Dane King, who's been wrestling for about a year-and-a-half.

"You do it for the love of wrestling. Obviously you don't do it for the money, doing it locally"

Just two weeks ago, a near sell-out crowd showed up to Auckland's Vector Arena for the New Zealand leg of WWE's world tour. Fans turned up in their thousands to catch a glimpse of their favourite characters, such as WWE champ John Cena.

However, time will tell whether professional wrestling will become a permanent fixture in New Zealand's mainstream entertainment - and perhaps the fans are happy to keep it on the fringes.

"The fans vary. They can be a little quiet person in the back row to a front rower who's going crazy. They can get out of their seats, get carried away, run up to the ring, give some harsh words to our 'bad' guys, so to speak, and that's what makes the show interesting," said Rip.

Movies like 2009's "The Wrestler", which earned Mickey Rourke a best actor Oscar nomination and revived his career, have helped bring wrestling back into the mainstream.

In New Zealand, KPW's ambitious plans to do the same and bring the spectacle into people's living-rooms was realised through Prime's series "Off The Ropes" - the first weekly wrestling show on a major TV network since Steve Rickard's "On The Mat" in the 1980's.

"We're endeavouring to get our second series up and running," said Rip.

It's a debate that's as old as the internet, is professional wrestling a sport? The KPW boss doesn't deny that it's theatre.

"Your job as a wrestler is to entertain the ticket buyer who's come to watch you. That's your job. So I don't think even fans would care who wins or who loses, as long as they remember it was a good match.

"Wrestling has an element of circus, showmanship, dress parades and I think over the generations people have always been attracted to something different, outside their normal hours of work. So I think that's why wrestling still lives." (Credit: Stuff.co.nz)


WWE Hall Of Fame Rumours...

Pushes on to see Randy "Macho Man" Savage inducted, facilitated by his death, along with "The Enforcer" Arn Anderson and Sean Waltman (once known as the "'123 Kid", "X-Pac" and "Syxx Pac", and was a key member in the The Kliq serving below Shawn Michaels, Kevin Nash and Scott Hall (currently serving about one week in jail). Waltman was also a member of the NWO.

Hulk Hogan online slot game due out before end of year; Endemol Games UK To Release...

Stay tuned to the Media Man Int website portal for more news as it comes to hand on the pending release of the Hulk Hogan online slot game.


WWE Website Content Updated...

WWE Vids - 'Tactical Force' movie with "Stone Cold" Steve Austin
http://vids.wwe.com/12654/trailer-for-the-movie-tactical-f

McMahon's Million Dollar Mania ends in disaster
http://vids.wwe.com/12633/mcmahons-million-dollar-mania-en


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Wednesday, July 20, 2011

Activision Reveals Spider-Man™: Edge of Time and X-Men™ Destiny Voice Talent at San Diego Comic-Con

Activision Reveals Spider-Man™: Edge of Time and X-Men™ Destiny Voice Talent at San Diego Comic-Con

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Val Kilmer Headlines Spider-Man: Edge of Time and Milo Ventimiglia Leads X-Men Destiny Casts

Talent to Take Part in Comic-Con Panel on Saturday, July 23, at 10:00am
SANTA MONICA, Calif., July 19, 2011 World-famous Super Heroes deserve world-class talent! That's why, to kick off San Diego Comic-Con 2011, Activision Publishing, Inc. (Nasdaq: ATVI) and Marvel Entertainment, LLC are pleased to announce the top-tier celebrity actors that will voice characters in the upcoming Spider-Man™: Edge of Time and X-Men™ Destiny video games. Both games will be playable at this year's Comic-Con and are set to thrill comic fans this fall.

The highly anticipated Spider-Man: Edge of Time game will feature legendary film star Val Kilmer as Walker Sloan, Smallville and V mainstay Laura Vandervoort as Mary Jane, and Katee Sackhoff, who played Lieutenant Starbuck from Battlestar Galactica, makes her debut as the Black Cat.

Additionally, Heroes icon Milo Ventimiglia, Sucker Punch and The Hangover Part II vixen Jamie Chung and Friday Night Lights star Scott Porter will bring three all-new playable mutant characters -- Grant Alexander, Aimi Yoshida and Adrian Luca -- to life respectively in X-Men Destiny.

"These amazing casts of talented Hollywood actors help bring the rich storylines of Spider-Man: Edge of Time and X-Men Destiny to life," said Vicharin Vadakan, Director of Marketing, Activision Publishing. "Players this fall will get to control the destiny of their own mutants or save Spider-Man and through this voice talent feel like they are part of the action."

Comic-Con fans can also catch their favorite stars from Spider-Man: Edge of Time and X-Men Destiny at the Activision Marvel Video Games Panel where they will join legendary comic creator Stan Lee, Marvel writer Peter David and Beenox Studio Head Dee Brown, among others, to discuss the latest Super Hero adventures and their roles in the upcoming video games. The panel will take place on Saturday, July 23, at 10:00am in room 5AB. Show-goers who visit the Activision booth (#5445) will be among the first to get their hands on both games.

About Spider-Man: Edge of Time

Playing the roles of the Amazing Spider-Man and Spider-Man 2099, Spider-Man: Edge of Time propels gamers on a high-octane, adrenaline-fueled adventure in which the heroic web-slingers must urgently work together across time to save each other and prevent a disaster that ultimately leads to the death of the Amazing Spider-Man. Against the backdrop of a rich, tightly crafted narrative by acclaimed Marvel veteran writer Peter David, the game features two individual timelines evolving in parallel, as well as "cause-and-effect" moments driven by the narrative. The game utilizes "picture-in-picture" moments where the actions of the Spider-Man in the present immediately affect the Spider-Man in the future and his surroundings.

About X-Men Destiny

X-Men Destiny allows gamers to control the fate of one of three brand-new mutant characters forced to choose between saving humanity or ensuring its destruction. Players are able to customize the path, powers and development of their character and decide their role in the mutant cause alongside, or against, some of Marvel's greatest X-Men franchise characters. Their mutant skills will evolve through a unique upgrade system that allows them to choose how they will mix and match the powers from their favorite X-Men and Brotherhood characters, then engage in fast and furious combat against a variety of opponents bent on defending their beliefs.

Spider-Man: Edge of Time is being developed by Beenox for Xbox 360® video game and entertainment system from Microsoft, PlayStation®3 computer entertainment system, Wii™ and Nintendo 3DS™. Silicon Knights is developing X-Men Destiny for Xbox 360®, PlayStation®3 system and Wii. Both games are being developed by Other Ocean for Nintendo DS™.

For more information on Spider-Man: Edge of Time and X-Men Destiny tune in to the HeroHQ community on Facebook at www.Facebook.com/HeroHQ.

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world's most prominent character-based entertainment companies, built on a proven library of over 8,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in entertainment, licensing and publishing. For more information, visit www.marvel.com.

About Activision Publishing, Inc.

Headquartered in Santa Monica, California, Activision Publishing, Inc. is a leading worldwide developer, publisher and distributor of interactive entertainment and leisure products.

Activision maintains operations in the U.S., Canada, the United Kingdom, France, Germany, Ireland, Italy, Sweden, Spain, Norway, Denmark, the Netherlands, Australia, South Korea, China and the region of Taiwan. More information about Activision and its products can be found on the company's website, www.activision.com.

Cautionary Note Regarding Forward-looking Statements: Information in this press release that involves Activision Publishing's expectations, plans, intentions or strategies regarding the future are forward-looking statements that are not facts and involve a number of risks and uncertainties. Activision Publishing generally uses words such as "outlook," "will," "could," "would," "might," "remains," "to be," "plans," "believes," "may," "expects," "intends," "anticipates," "estimate," future," "plan," "positioned," "potential," "project," "remain," "scheduled," "set to," "subject to," "upcoming" and similar expressions to identify forward-looking statements. Factors that could cause Activision Publishing's actual future results to differ materially from those expressed in the forward-looking statements set forth in this release include, but are not limited to, sales levels of Activision Publishing's titles, shifts in consumer spending trends, the impact of the current macroeconomic environment, the seasonal and cyclical nature of the interactive game market, Activision Publishing's ability to predict consumer preferences among competing hardware platforms, declines in software pricing, product returns and price protection, product delays, retail acceptance of Activision Publishing's products, adoption rate and availability of new hardware (including peripherals) and related software, industry competition including from used games and other forms of entertainment, litigation risks and associated costs, rapid changes in technology, industry standards, business models including online and used games, and consumer preferences, including interest in specific genres such as music, first-person action and massively multiplayer online games, protection of proprietary rights, maintenance of relationships with key personnel, customers, licensees, licensors, vendors, and third-party developers, including the ability to attract, retain and develop key personnel and developers that can create high quality "hit" titles, counterparty risks relating to customers, licensees, licensors and manufacturers, domestic and international economic, financial and political conditions and policies, foreign exchange rates and tax rates, and the identification of suitable future acquisition opportunities and potential challenges associated with geographic expansion, and the other factors identified in the risk factors sections of Activision Blizzard's most recent annual report on Form 10-K and any subsequent quarterly reports on Form 10-Q. The forward-looking statements in this release are based upon information available to Activision Publishing and Activision Blizzard as of the date of this release, and neither Activision Publishing nor Activision Blizzard assumes any obligation to update any such forward-looking statements. Forward-looking statements believed to be true when made may ultimately prove to be incorrect. These statements are not guarantees of the future performance of Activision Publishing or Activision Blizzard and are subject to risks, uncertainties and other factors, some of which are beyond its control and may cause actual results to differ materially from current expectations.

SOURCE Activision Publishing, Inc.


Marvel & Disney Publishing Worldwide Announce JOHN CARTER: WORLD OF MARS

Official Comic Prequel to Upcoming Disney Film Arrives in October

New York, NY—July 18, 2011—Marvel Entertainment and Disney Publishing Worldwide are proud to announce John Carter: World of Mars, an all-new comic prequel to the upcoming Walt Disney Pictures feature film, John Carter, which will hit theatres on March 9, 2012. This October, John Carter: World of Mars #1 reveals the shocking events that transpire before the motion-picture story begins by showing fans just how John Carter, Princess Dejah Thoris and Tars Tarkas are set on the path that would bring them all together. Amidst this brutal thousand-year war, find out what decisions were made that let events escalate this far—and why. This blockbuster, four-issue, limited series comes straight from New York Times best-sellers Peter David (Dark Tower, X-Factor) and Luke Ross (Dark Tower, Captain America: First Vengeance), two of the most acclaimed talents in comics.

"We're thrilled to bring fans their first look at the world of John Carter before the blockbuster film wows audiences next year," said Axel Alonso, Marvel Editor In Chief. "It's been a pleasure working with Disney, Peter and Luke to craft a powerful story that will appeal to both the legions of John Carter fans and those who are new to this exciting world."

Director Andrew Stanton adds, "I am really thrilled to be collaborating with Disney & Marvel on this project and look forward to audiences exploring the world of John Carter via this exciting comic offering. I have wanted to see this property on the big screen since I was a young boy and hope that John Carter: World of Mars will excite and inspire fans of the series much like I was inspired many years ago."

Before John Carter's arrival on Mars, what events shaped the conflict that would change his destiny—and that of the universe—irrevocably? Find out this October as war, love and inescapable destiny collide in John Carter: World of Mars #1!

About the Movie:

From Academy Award®–winning filmmaker Andrew Stanton and a screenplay by Stanton & Mark Andrews and Michael Chabon comes "John Carter"—a sweeping action-adventure set on the mysterious and exotic planet of Barsoom (Mars). "John Carter" is based on a classic novel by Edgar Rice Burroughs, whose highly imaginative adventures served as inspiration for many filmmakers, both past and present. The film tells the story of war-weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands.

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As Marvel living legend Stan Lee would say, Excelsior!

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Tuesday, July 19, 2011

Australian Gambling News Update, by Greg Tingle - 18th July 2011

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Bwin.Party Digital Entertainment's PartyCasino Maintains Stranglehold On Media Man Award...

PartyCasino, the world's leading online casino brand, and part of the Bwin.Party Digital Entertainment family, is once again leading the pack for the prestigious Media Man 'Online Casino Of The Month Award'. Sinatra, Rambo, Cleopatra and Circus continue to be some of the brands most popular games. Latest new releases from the casino include Aztec Gold, Atomic Fruit, Nags To Riches and Fairies Forest. The casino offers punters the opportunity to play for free or play for money, and a great range of slots, table games, skill games and of course, poker games, can be found across the company portfolio offer. Live dealer and PartyPoints remain very popular with online gaming fans. The company has been established for over a decade and has achieved numerous awards including the EGR 'Socially Responsible Operator Of The Year' award. They are listed on the London Stock Exchange.


Crown Casino Security Under Spotlight; Casino Squad Proposal Buzz...

Should Melbourne's Crown Casino get their good old fashioned "casino squad" back on site? Many insiders think Yes, and that's the vibe in mainstream media and internet media forums, blogs and website portals.

Like it or not, Crown Casino, and other Australian land based casinos, have a habit of attracting criminals and undesirables. No wonder online casinos are becoming more popular with Joe Public is it.

Up until June 2006, an on site "casino squad" with detectives and the works was based at the famous James Packer owned casino.

The word on the street is that a number of crims launder cash and engage in drug deals in and around the casino, with even loan shark deals happening now and again.

Criminals who are banned from the casino as undesirables are still going to try their luck despite being on the receiving end of lifetime exclusion orders issued by the Chief Commissioner of Police. Believe it or now, sweeping powers that were given to police command to ban gamblers with serious crime links from the famous casino have not been used for five long years.

It's also understood that in a six years period no one has been charged under a consorting law which, when it was introduced in 2005, was championed as a powerful tool weapon against organised crime and mafia types.

The Police Association have gone public in attacking the decision to pull back resources as ignoring crime and wasting intelligence-gathering opportunities.

Over the years, the land based casino has proved a quite a catchment area for intelligence-gathering by police investigating the activities of organised crime figures.

It's common knowledge that criminal types, often in groups or gangs, are attracted o the casino, where funny money cash can be "washed" clean on the gaming tables, in the slots et al.

The Baillieu Government says its keen to restore law and order to Melbourne, so what's the hold up on the "casino squad"? Sounds like a comic strip or something by Marvel Studios, but this is real life and a real problem folks.


Crown Casino May Get Security Beefed Up With On Site Police Station...

Melbourne coppers would be able to ban undesirables from Crown casino without legal challenge under new powers being considered by the Victorian Government.

Gaming Minister Michael O'Brien advised the Government did not know of a problem with casino exclusion orders until the Murdoch's Herald Sun reported it earlier this week.

"We're very happy to receive advice from the police about concerns they've apparently got about the way the Act is functioning," he said.

"If the police feel they can't use the current powers because they compromise investigations, there would appear to be a need for change and we are open to that."

The Herald Sun revealed that the chief commissioner's power to exclude undesirables from the casino had not been used since June 2006, when the force's casino crime unit was disbanded.

In the two years before that date, 35 gamblers with criminal connections were served with lifetime exclusion orders.

Acting Chief Commissioner Ken Lay advised police chose not to issue further exclusion orders for fear of being forced to disclose confidential sources.

Lay said those concerns prompted a decision not to contest a challenge to an exclusion order by one of the 35 gamblers banned from Crown prior to 2006.

Lay said the force received legal advice it may have had to reveal confidential information if the challenge had gone to the Supreme Court.

"We weren't prepared to take that risk," he said.

Lay said the problem had not been resolved despite the former government proposing amended legislation in 2009.

Several people still excluded under pre-2006 orders are known to frequent the famous casino, which comes compete with a max penalty of $2440 for each breach.

The 35 underworld figures banned from the casino and most racetracks in Victoria included the late Carl Williams and Tony Mokbel.


One Armed Bandit Pokies Warn Players Of Potential Dangers...

Passionate gamblers will be prompted by poker machines to donate some winnings to charity under a new eight-week trial overseen by the State Government.

And in a bid to keep more wins in the pockets of punters, new poker machines trialled in five surf lifesaving clubs will warn gamblers how much time and money they have spent.

Attorney-General Paul Lucas will today reveal the Office of Liquor and Gaming Regulation has approved the trial of the machines at Southport, Coolangatta, Kurrawa, Northcliffe and Tallebudgera surf clubs.

Lucas said gaming company Aristocrat Leisure had developed machines that would include state-defined messages and animations that encourage punters to gamble responsibly, a system that allows players to bank wins, an alarm clock that warns players when they have reached their pre-determined time on the machine and an ability to direct winnings to a registered charity.

During the trial the charity will be the surf club.

"This trial is expected to contribute valuable insights and increase the evidence base available to all stakeholders around the effectiveness of various game features, including a pre-commitment option, in encouraging responsible gaming behaviour," Lucas said.

The trial is being undertaken by Aristocrat and the University of Sydney.

Lucas said Queensland had one of the lowest gambling prevalence rates in the nation.

"But one problem gambler is one too many."

It comes as the Gillard Government is preparing to draft new mandatory pre-commitment laws that would mean gamblers would have to determine how much money they were willing to lose - and be locked out once that amount is reached - or play slower machines that suck down less moolah.

And here's the scoop...South Australian Nick Xenophon and anti-pokies campaigner Tim Costello are suing the South Australian and Victorian governments for not enforcing poker machine regulations. One ponders if that's related to the powerful 'Un Australian' ads been ran by Clubs Australia and friends.


Britain's controversial IVF Lottery Eyes Australia...

The brazen organiser of the world's first IVF lottery that gives ticket-holders a chance to "win" a baby wants to bring the controversial raffle to Australia this year.

No chook raffle, but lucky punters can essentially win a baby.

IVF experts have tackled the competition for preying on desperate infertile couples, and "demeaning human life".

Thousands of £20 (about $30) tickets will go up for grabs on July 30 in the UK, giving the winner £25,000 for fertility treatment.

The competition has the approval of Britain's Gaming Commission.

The prize includes accommodation at a luxury hotel, a chauffeur to take the winner to appointments and a personal assistant.

The winner will choose their own fertility clinic, as well as having fertility drugs and complementary therapies paid for.

If the standard treatment is not successful, the winner can choose another way of fulfilling the deal, such as reproductive surgery, donor eggs or a surrogate birth.

Lottery organiser Camille Strachan, who set up fertility support group To Hatch after her own failed IVF treatment, said the competition would help relieve financial pressures on would-be parents.

"Bringing this to Australia this year is at the forefront of my mind because I do get a lot of members from Australia, and infertility is just as big a problem in Australia as it is in the UK," Ms Strachan said.

"You're not picking up a baby from a shelf to give them. You're giving them an opportunity," she said.

"Some people don't have a choice apart from IVF and they should be given an opportunity just as much as anyone."

Fertility treatments in the UK have long waiting lists and are about double the cost of cycles in Australia, which are subsided by Medicare.

Victorian Assisted Reproductive Treatment Authority chief executive Louise Johnson said although there was no legislation banning the lottery being run here, she found the concept "ethically murky".

What else can we say but good luck to all.


Man Glassed By Mystery Man in Cairns Casino...

Up in Northern Queensland a Cooktown man has been arrested after police said he glassed another man at the popular Cairns casino.

The two blokes were drinking in the smokers section of the Reef Hotel Casino on Wharf Street about 8pm Sunday when the Cooktown man allegedly lunged at a 21-year-old Bayview Heights man and threw a glass at him.

A police spokesman said the victim sustained serious injuries to his face and eye and was taken to Cairns Base Hospital.

The men were not known to each other.

"They were drinking in the same area but not communicating with each other," the spokesman said.

"There was some sort of altercation that has not been determined yet.

"For and unknown reason the suspect lunged at the victim and struck him in the face."

A Cooktown man has been charged with with one count of grievous bodily harm.

He is scheduled to appear in the Cairns Magistrates Court today.


Dancer With Roots To Casino Takes Giant Leap...

http://www.dailyadvertiser.com.au/news/local/news/general/dancer-takes-her-biggest-leap-yet/2228836.aspx

WAGGA dancer Monique Savill has been given the opportunity of a lifetime.
Monique, 18, has qualified to represent Australia at the International Dance Organisation Championships, after winning the jazz and modern contemporary sections of the Official Australian Championship and World Championship Selection Competition at Melbourne's Crown Casino earlier this year.

She has been working towards this moment since she first started competing in the Crown Casino competition in 2001.

Monique has been given the choice of representing Australia in the championships in Poland in December or waiting until next year's competition, allowing her to fit her representation in with her other dance commitments.

"I am over the moon. I have been aiming for it so long. I feel so privileged to be given the opportunity," she said.

"Dancing has been a passion of mine for a long time. I am honoured to take part and won't be taking the opportunity for granted."

During the five-day competition, Monique will be asked to compete against dancers from 90 other countries, with each dancer bringing their own style to the competition.

Monique said she would spend the next couple of months training and perfecting her technique to make sure she had the best chance of winning the championships.

Her training routine will involve working on her jazz and contemporary routines, as well as taking classes in other dance styles and continuing her ballroom dancing competitions.


Goldsack 'should have been fined'...

THE $400 payout Tyson Goldsack's mother received after her son kicked the first goal in last year's grand final replay should have led to a fine for the Collingwood player, according to North Melbourne chairman James Brayshaw.

The fallout from the Magpies' betting scandal has continued with the spotlight falling on a $5 bet Wendy Goldsack placed on her son to kick the first goal in the grand final.

The AFL yesterday cleared Goldsack of any wrongdoing, deciding that because he had not passed on any team information to his mother, there had been no breach of AFL rules.

This was in contrast to Magpies defender Heath Shaw who was suspended for eight matches and fined $20,000 after placing a $10 bet on his captain Nick Maxwell to be the first goalscorer in a round 9 match against Adelaide.

Maxwell was also fined $5000 (with another $5000 suspended) for telling family members he was to move from his usual position in defence to an attacking role. Family members then placed $85 worth of bets on him to kick the first goal.

Brayshaw said Goldsack was lucky to escape punishment.

"You've got the captain of the Collingwood Football Club who has been fined heavily for doing something that 17 games earlier a teammate did exactly the same thing and has been absolved of any responsibility," Brayshaw said on Channel Nine yesterday. "How does that work? He (Maxwell) will be sitting back saying . . . 'a bloke did exactly the same as what I've done and you could argue, more importantly, because it was a grand final and it was a collect, and he's got no case to answer while I'm out of pocket'."

Goldsack said after the match he had joked with his mother that he would kick the first goal but had no way of knowing it would pan out that way.

AFL Players' Association chief executive Matt Finnis yesterday admitted players had been caught unawares in the latest scandal and said the increased focus on certain "grey areas" in the rules would benefit his members.

"I think the education provided by the AFL is as good as any in Australian sport, but it does show more focus is needed on grey areas," Finnis said.

He described the Maxwell incident as the first of a "shift in culture of a well-established practice" in which players have traditionally discussed football game plans and team placements with friends and family.

Maxwell said yesterday it was a lesson learned for all players.

Finnis explained that it was the AFL, not the players union, that was responsible for education programs about rules and regulations such as the gambling code and its racial and religious vilification policy.

"We supported the changes to the rules and the standard player contract to uphold the integrity of the game," Finnis said. "But the players will now need to think twice about the information they receive from their clubs."

Maxwell said yesterday he should have been more responsible for knowing the rules.

"All my family have been shocked and embarrassed by it all," he said on Channel Seven's Game Day.

"We never thought any of this would happen and no one had any intentions of it happening."


Players caught on TAB footage...

CCTV footage of Heath Shaw and relatives of Nick Maxwell brought down the Magpie pair.

Sources last night said the AFL started to investigate following a report of suspicious betting on Nick Maxwell in the Herald Sun.

The AFL started the probe and immediately sought the assistance of wagering giant Tabcorp under the same integrity agreement the NRL used to identify key participants in last year's rugby league betting scandal in a Bulldogs-Cowboys match.

"We were just a tool available to the AFL as part of its investigation," a TAB source said.

"We were asked to provide a report on all bets placed on Nick Maxwell to kick the first goal in the round nine AFL match (Collingwood v Adelaide).

"So our first step was to get a printout of all bets placed on Maxwell and identify the time those bets were placed and how they were placed.

"In this case all the bets were placed using cash and through TAB agencies."

Tabcorp keeps CCTV footage from all of its agencies.

"Once we'd identified how, when and where the bets were placed and notified the AFL, we forwarded the relevant CCTV footage to the AFL.

"It wasn't our job to try and identify any of the individuals on the footage, we just provided it all to the AFL for them to investigate."

The source said that Tabcorp was later notified that Shaw, his flatmate and members of Maxwell's family had been identified.

"From the footage the AFL identified Heath Shaw with what was later discovered to have been his flatmate, who placed the bet.

"Review of other CCTV footage showed Maxwell's brother and his wife's mother also placing bets."

The source said last year's NRL scandal and yesterday's revelation about Shaw and Maxwell simply reinforced how significant a step the AFL had taken by signing an integrity agreement with Tabcorp and other betting agencies.

"Betting on AFL, or sport in general, has grown enormously over the past few years and the AFL acted very responsibly in forming formal partnerships with some wagering operators and appointing its own integrity manager."


1. THE PLAN

Mick Malthouse tells defender Nick Maxwell he will start forward in the May 22 Round 9 match against Adelaide. Heath Shaw tells his flatmate and two other people

$101: ODDS FOR NICK MAXWELL TO KICK FIRST GOAL

2. THE BETS

On May 21, Shaw had $10 in a $20 cash bet with a friend on Maxwell to kick the first goal, at odds of $101. Three bets totalling $25 were placed by people Shaw told. Maxwell family members also placed small wagers after he told them he would start forward.

3. GAME DAY

The unusual bets cut Maxwell's odds to $25. The first goal is kicked by John McCarthy

4. INVESTIGATION

The AFL started its investigation after the Herald Sun reported on May 25 that a leading betting agency had been approached by punters wanting to back Maxwell to kick the first goal. The AFL asked Tabcorp to provide details of all bets placed of the bet type in question.

CCTV footage of the bets being placed was given to the AFL. Heath Shaw and his flatmate, who placed the bet, were identified, as well as Maxwell's brother and mother-in-law, who had placed three bets totalling $85.

4. PENALTY

HEATH SHAW

Banned for 14 matches, with six suspended. He won't be able to play before the finals

Fined $20,000

NICK MAXWELL

$5000, with a further $5000 suspended for recklessly disclosing inside information


Gold Coast Added to Jackson's Australian Tour...


Janet Jackson is coming to the Gold Coast and fans can expect to get up close and personal with the singing star.

Down Under Australia has been added to the American's worldwide tour, with the Gold Coast Convention and Exhibition Centre in the mix of venues where she will perform during October and November.

The Janet Jackson Number One: Up Close and Personal Tour has been designed so Jackson will be at venues that allow her to perform in a "much more intimate setting".

The announcement is a huge coup for the city and comes just months after Jupiters Hotel & Casino brought Rihanna to the same venue.

Paul Douglass, sales manager for entertainment and special events at the Convention Centre, said A-List class acts liked to visit the city especially because of the "feel of the venue".

"Other venues can get 25,000 or 30,000 people but that intimate experience is lacking," he said.

"We don't want to compete with Brisbane because we're a completely different demographic and completely different venue."

Douglass suggested that this would be the first of a series of big name acts to book the Coast venue.

"Janet Jackson has chosen wisely to come here," he said.

"Securing an act like her creates a great buzz and lifts everyone's spirits."

Jackson will also calling for people to nominate 20 young leaders in each city who will win a tickets to the concert as well as backstage passes.

"There are many young people changing the world and I want them to be recognised during my tour," she told the press.

"This is a love affair between me and those of you who have supported me and my work for all these years."

Tickets for the November 2 concert will go on sale on August 3.



Punters, er readers, stay glued to Media Man reports for more "can't miss" information on Australian pokies, gaming and casino wars.

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Hollywood And AussieWood Celebrity News, Wrestling, WWE Et Al - 13th March 2012

Hollywood And AussieWood Movie And Celebrity News

'Ocean's Eleven' voted greatest ever remake, Hollywood Celebrity News, Pro Wrestling Connection

Sylvester Stallone, Bruce Willis arm wrestle

Wrestling Legend "Rowdy" Roddy Piper In Fancypants Movie


The Four Horsemen Including Ric Flair To Be Inducted Into WWE Hall Of Fame 2012; Jim Ross Tweets

Dwayne "The Rock" Johnson Continues His Journey Towards WrestleMania Match With John Cena

What the Media has said about wrestling over the years













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Netflix finally reveals how much it makes from Australians - 1st June 2023

Netflix made more than $1 billion from Australians last year, a figure the company reported for the first time after deciding no longer to funnel revenues through a Netherlands-based subsidiary.

Accounts lodged by the streaming giant show Netflix Australia made $1.06 billion in 2022, up from $30.7 million the year before.

The increase in reported revenue came after the company’s local subsidiary changed how it bills. It now describes itself as a “distributor of access” to Netflix Service as opposed to a provider of services for its parent company.

It was previously estimated that Netflix made between $790 million and $1.4 billion from Australians, but customers were billed by Netflix International BV. But from January 1 last year, customers were billed by Netflix Australia, meaning subscription revenue was recognised and taxed locally.

The accounts, filed with the Australian Securities and Investments Commission, show Netflix Australia paid $966 million to the Netflix Group in distribution fees and other costs, meaning it made just $22.7 million from total revenues of $1.06 billion.

After paying $6.9 million in income tax, it reported $15.8 million profit for the year.

“As Netflix continues to grow and invest in Australia, we want our corporate structure to reflect our business activities here,” a spokesman for Netflix said last year when The Australian Financial Review reported the structural change.

In 2021, Netflix Australia reported $30.7 million in revenue, $2.4 million in profit pre-tax, and $1.5 million in profit after its $868,000 income tax bill.

Netflix does not disclose subscriber numbers for Australia, but the revenue figures included in its latest accounts implies the service has around five million customers locally, if its standard plan, $16.99 per month, is used as a guide. It has four monthly price tiers including a new, cheaper one that now adds some advertising.

According to the Australian Communications and Media Authority, streaming services made a combined $2.49 billion in Australia in 2021.

The disclosure of Netflix’s true Australian revenue comes as the federal government considers introducing quotas that would force streaming companies to spend a certain amount making shows locally.

Some suggestions have been forcing them to spend between 10 and 20 per cent of local revenue on Australian shows, meaning Netflix would be required to spend, depending on the rate, between $100 million to $200 million.

ACMA estimates streaming providers spend $335.1 million on Australian content in the 12 months to the end of June last year, up from $178.9 million the year before.

Netflix has been contacted for comment.


News

Mistakes and miscalculations: How the Murdochs and Fox got it so wrong - 30th May 2023


In August 2021, the Fox Corp. board of directors gathered in Los Angeles. Among the topics on the agenda: Dominion Voting Systems’ $US1.6 billion ($2.5 billion) defamation lawsuit against its cable news network, Fox News.

The suit posed a threat to the company’s finances and reputation. But Fox’s chief legal officer, Viet Dinh, reassured the board: Even if the company lost at trial, it would ultimately prevail. The First Amendment was on Fox’s side, he explained, even if proving so could require going to the Supreme Court.

That determination informed a series of missteps and miscalculations over the next 20 months, according to a New York Times review of court and business records, and interviews with roughly a dozen people directly involved in or briefed on the company’s decision-making.

The case resulted in one of the biggest legal and business debacles in the history of Rupert Murdoch’s media empire: an avalanche of embarrassing disclosures from internal messages released in court filings; the largest known settlement in a defamation suit, $US787.5 million; two shareholder lawsuits; and the benching of Fox’s top prime-time star, Tucker Carlson.

And for all of that, Fox still faces a lawsuit seeking even more in damages, $US2.7 billion, filed by another subject of the stolen election theory, voting software company Smartmatic.


Caught flat-footed

Repeatedly, Fox executives overlooked warning signs about the damage they and their network would sustain, the Times found. They also failed to recognise how far their cable news networks, Fox News and Fox Business, had strayed into defamatory territory by promoting President Donald Trump’s election conspiracy theories — the central issue in the case. (Fox maintains it did not defame Dominion.)

When pretrial rulings went against the company, Fox did not pursue a settlement in any real way. Executives were then caught flat-footed as Dominion’s court filings included internal Fox messages that made clear how the company chased a Trump-loving audience that preferred his election lies to the truth.

It was only in February that Murdoch and his son with whom he runs the company, Lachlan Murdoch, began seriously considering settling. Yet they made no major attempt to do so until the eve of the trial in April, after still more damaging public disclosures.

At the centre of the action was Dinh and his overly rosy scenario.

Dinh, a high-level Justice Department official under President George W. Bush, declined several requests for comment, and the company declined to respond to questions about his performance or his legal decisions. “Discussions of specific legal strategy are privileged and confidential,” a company representative said in a statement.

The second half of 2020 brought Fox News to a crisis point. The Fox audience had come to expect favourable news about Trump. But Fox could not provide that on election night, when its decision desk team was first to declare that Trump had lost the critical state of Arizona.

In the days after, Trump’s fans switched off in droves.

The Fox host who was the first to find a way to draw the audience back was Maria Bartiromo. Five days after the election, she invited a guest, Trump-aligned lawyer Sidney Powell, to share details about the false accusations that Dominion, an elections technology company, had switched votes from Trump to Joe Biden.

Soon, wild claims about Dominion appeared elsewhere on Fox, including references to the election company’s supposed (but imagined) ties to the Smartmatic election software company; Hugo Chávez, the Venezuelan dictator who died in 2013; George Soros, the billionaire investor and Democratic donor; and China.

‘Fox News did its job, and this is what the First Amendment protects. I’m not at all concerned about such lawsuits, real or imagined.’


Fox’s chief legal officer Viet Dinh

On November 12, a Dominion spokesperson complained to Fox News Media chief executive Suzanne Scott and Fox News Media executive editor Jay Wallace, begging them to make it stop. “We really weren’t thinking about building a litigation record as much as we were trying to stop the bleeding,” said Thomas A. Clare, one of Dominion’s lawyers.

As Fox noted in its court papers, its hosts did begin including company denials. But as they continued to give oxygen to the false allegations, Dominion sent a letter to Fox News general counsel Lily Fu Claffee, demanding that Fox cease and correct the record. “Dominion is prepared to do what is necessary to protect its reputation and the safety of its employees,” the letter warned.

Fox, however, did not respond to the Dominion letter or comply with its requests — now a key issue in a shareholder suit filed in April, which maintains that doing so would have “materially mitigated” Fox’s legal exposure.

Three months after the election, another voting technology company tied to the Dominion conspiracy, Smartmatic, filed its own defamation suit against Fox, seeking $US2.7 billion in damages. Dominion told reporters that it was preparing to file one, too.


Dinh was publicly dismissive.

“The newsworthy nature of the contested presidential election deserved full and fair coverage from all journalists. Fox News did its job, and this is what the First Amendment protects,” Dinh said at the time. “I’m not at all concerned about such lawsuits, real or imagined.”

The Fox legal team based much of the defence on a doctrine known as the neutral reportage privilege. It holds that news organisations cannot be held financially liable for damages when reporting on false allegations made by major public figures as long as they don’t embrace or endorse them.

An early warning came in late 2021. The judge in the case, Eric M. Davis, rejected Fox’s attempt to use the neutral reportage defence to get the suit thrown out, determining that it was not recognised under New York law, which he was applying to the case. Even if it was recognised, Fox would have to show it reported on the allegations “accurately and dispassionately”, and Dominion had made a strong argument that Fox’s reporting was neither, the judge wrote in a ruling.

That ruling meant that Dominion could have access to Fox’s internal communications in discovery.

That was a natural time to settle. But Fox stuck with its defence and its plan.


Treasure trove

At nearly every step, the court overruled Fox’s attempts to limit Dominion’s access to private communications exchanged among hosts, producers and executives. The biggest blow came mid-last year, after a ruling stating that Dominion could review messages from the personal phones of Fox employees, including both Murdochs.

The result was a treasure trove of evidence for Dominion: text messages and emails that revealed the doubts that Rupert Murdoch had about the coverage airing on his network, and assertions by many inside Fox, including Carlson, that fraud could not have made a material difference in the election.

The messages led to even more damaging revelations during depositions. After Dominion’s lawyers confronted Rupert Murdoch with his own messages showing he knew Trump’s stolen election claims were false, he admitted that some Fox hosts appeared to have endorsed stolen election claims.

During Carlson’s deposition last year, Dominion’s lawyers asked about his use of a crude word to describe women — including a ranking Fox executive. They also mentioned a text in which he discussed watching a group of men, who he said were Trump supporters, attack “an Antifa kid”. He lamented in the text, “It’s not how white men fight,” and shared a momentary wish that the group would kill the person. He then said he regretted that instinct.

There is no indication that Carlson’s texts tripped alarms at the top of Fox at that point.

The alarms rang in February, when reams of other internal Fox communications became public. The public’s reaction was so negative that some people at the company believed that a jury could award Dominion more than $US1 billion. Yet the company made no serious bid to settle.

All along, the Fox board had been taking a wait-and-see approach.

But the judge’s pretrial decisions began to change the board’s thinking. Also, in those final days before the trial, Fox was hit with new lawsuits. One, from former Fox producer Abby Grossberg, accused Carlson of promoting a hostile work environment. Another, filed by a shareholder, accused the Murdochs and several directors of failing to stop the practices that made Fox vulnerable to legal claims.

The weekend before the trial was to begin, the board asked Fox to see the internal Fox communications that were not yet public but that could still come out in the courtroom.

The board learned for the first time of the Carlson text that referred to “how white men fight”. Dinh did not know about the message until that weekend, according to two people familiar with the matter.

By the time the board learned of the message, the Murdochs had already determined that a trial loss could be far more damaging than they were initially told to expect. A substantial jury award could weigh on the company’s stock for years as the appeals process played out.

“The distraction to our company, the distraction to our growth plans — our management — would have been extraordinarily costly, which is why we decided to settle,” Lachlan Murdoch said at an investment conference this month.

The text also helped lead to the Murdochs’ decision to abruptly pull Carlson off the air. Their view had hardened that their top-rated star wasn’t worth all the downsides he brought with him.

Still pending is the Smartmatic suit. In April, Fox agreed to hand over additional internal documents relating to several executives, including the Murdochs and Dinh. In a statement reminiscent of Dinh’s early view of the Dominion case, the network said that Fox was protected by the First Amendment.

“We will be ready to defend this case surrounding extremely newsworthy events when it goes to trial, likely in 2025,” the statement said.


News

Lachlan Murdoch explains $1.2b settlement, says Fox News won’t change ‘successful strategy’ - 10th May 2023


Fox News paid $US787 million ($1.16 billion) to settle a recent lawsuit on its reporting after the 2020 election to avoid a divisive trial and lengthy appeals process, its parent company’s chief executive said.

Lachlan Murdoch, executive chairman and CEO of Fox Corp., also noted that a Delaware judge “severely limited” Fox’s defences against Dominion Voting Systems, which said the network defamed it by airing bogus charges of election fraud that it knew was untrue.

Fox Corp announced that it had lost $US50 million the previous three months, which it attributed to the lawsuit settlement. Murdoch, who answered questions from financial analysts, was speaking in public for the first time since the case ended and Fox fired its most popular anchor, Tucker Carlson. Carlson has just announced he is launching a new show on Twitter.

Murdoch said viewers, and investors, should expect no change in direction from Fox News.

“We made the business decision to resolve this dispute and avoid the acrimony of a divisive trial and multi-year appeal process, a decision clearly in the best interests of the company and its shareholders,” he said.

Fox still believes it was properly exercising its First Amendment rights to report on newsworthy fraud allegations made by former President Donald Trump, even though that defence was shot down in a pre-trial court ruling in the Dominion case, Murdoch said.

That’s important, since Murdoch said Fox intends to use the same defence against a similar lawsuit by another elections technology company, Smartmatic. That case is not expected to go to trial until at least 2025, he said.

Despite being asked directly about Carlson’s exit, Murdoch didn’t mention the former prime-time host’s name and referred to his reign obliquely. Fox has not explained why it cut ties with Carlson.

“There’s no change in programming strategy at Fox News,” he said. “It’s obviously a successful strategy. As always, we are adjusting our programming and our lineup and that’s what we continue to do.”

Although hurt by the Carlson exit, Fox News remains the leading cable news network.

Fox has lost viewers following Carlson’s firing. Last week’s substitute host, Lawrence Jones, reached between 1.28 million and 1.7 million last week in a time slot where Carlson usually drew around 3 million, the Nielsen company said.

Yet Fox has gained more than 40 new advertisers in that hour, the network said, confirming a report in Variety. Advertisers like Gillette, Scott’s Miracle Gro and Secret deodorant that had considered Carlson’s show a toxic environment have signed on.

(AP)


News

Jesse Armstrong on the roots of Succession: ‘Would it have landed the same way without the mad bum-rush of Trump’s presidency?’ - 27th May 2023


It has been the TV drama of our time – a brutal, hilarious unpicking of how power works. As the series comes to an end, its creator looks back at its origin and the unholy trinity of men who helped inspire Logan Roy

My first vivid memory of the project that would develop into Succession was trying to get out of it. It was about 2008 and I was on location for the filming of Peep Show, the UK sitcom my longtime writing partner Sam Bain and I wrote together. Between that show and my work on The Thick of It and In the Loop, and a bunch of other things, I was feeling overcommitted. That particular day we were pretending a very normal field in Hertfordshire was a safari park. I sloped off from set and, hiding from imaginary lions, tried to elegantly step away from the project.

I failed. And in the following months as I wrote, slowly, I became certain the script was a dud. It was stodgy and odd. The original idea, a faux-documentary laying out Rupert Murdoch’s business secrets, with them delivered straight to camera, evolved as I worked into a sort of TV play, set at the media owner’s 80th birthday party. Channel 4 were supportive, but it was an odd form, this docudrama/TV-play, and difficult to make happen. Around 2011, after a read-through in London where John Hurt played Rupert, the project essentially died.

My US agent was the first person I recall suggesting a totally different approach. A fictional family, a multi-series US show. For five years or so, I dismissed the idea, certain that a portrayal of a fictional family would never have the power of a real one. Four works changed my mind: HBO’s excellent Robert Durst documentary, The Jinx; Sumner Redstone’s grimly business-focused autobiography, A Passion to Win; James B Stewart’s propulsive DisneyWar; and Tom Bower’s fascinating Robert Maxwell biography Maxwell: The Final Verdict. These turned the idea of doing a media-family drama without a singular real-life model from a terrible betrayal of reality into a tantalising chance to harvest all the best stories. Here was an opportunity to explore all the most fascinating family dynamics within a propitiously balanced fictional hybrid media conglomerate. I took a long, deep dive into rich-family and media-business research.

I talked about this, as-yet-unwritten, idea in half-ironised terms as ‘Festen-meets-Dallas’

When Sam and I decided to bring things to a close on Peep Show, I flew out to pitch this media show around LA. I had a clear idea of where I wanted to develop it, but my agent persuaded me appetites would be whetted if we had a number of potential homes. So I spent three days doing a round of pitch meetings where I talked about this as-yet-unwritten idea in half-ironised terms as “Festen-meets-Dallas”. No stars, Dogme 95 camerawork. Scared of driving on the five-lane highways, I bumped around town in the back of a Honda Civic while a nice young man from my US agent’s mailroom ferried me between rooms stocked with identical tiny bottles of water and executives of vastly varying degrees of interest.

Eventually, I got to HBO, the place I most wanted the show to land, home to The Sopranos and Six Feet Under. I knew they might be receptive. Frank Rich – once known as the “Butcher of Broadway” for his theatre criticism, but now an in-house consigliere – had championed my work there to the boss, Richard Plepler, and I’d previously developed a show with them. So, out the back of a French-style bistro on a three-cappuccino high, I pitched it to their head of drama and comedy, Casey Bloys.

Sometimes a pitch stretches thin and threadbare, the fabric renting as you go, the other party peeping grimly through the holes. Other times, the air thickens, and you can feel the atmosphere in the room turn oxygen-rich as the enthusiasm you are trying to project transforms into an enthusiasm you are actually feeling.

By the time I left LA, HBO had made an offer and Adam McKay, fresh from The Big Short, had said he would be interested in directing. I’d written another Succession forerunner, a script about the US political strategist Lee Atwater, for Adam and his producing partner Kevin Messick. It had been one of the few LA experiences I’d had where the excitement expressed at the start of the project sustained through the writing and attempts to get it made.

This was 2016 and, once back in the UK, I wrote the pilot through the spring and summer in a one-room flat I rented on Brixton Hill, south London, walking across Brockwell Park each morning, listening to podcasts and reading news about the Brexit referendum. Scotland had recently voted by a narrow majority to stay inside the UK and the abiding sense right before the Brexit vote was, yeah, change looms, it glistens, menacingly, promisingly, but it doesn’t happen. Not really. Really, everything stays the same.

But then it did happen. And across the Atlantic, the Trump campaign was igniting – even if initially his candidacy felt like a slightly amusing, slightly too-vivid flash in the pan. Into early autumn, in fact, all serious people were still explaining to one another that Trump couldn’t happen. Although I suppose, looking back, there was a notable lack of detail in terms of the mechanism by which he would be stopped.

I think a lot of the better films and TV shows I’ve been involved with have at their heart a quite simple impulse around which the more subtle layers are spun. In the Loop’s spark was anger at the Iraq war. Chris Morris’s Four Lions I think was driven by his gut feeling that something was very wrong with the way we understood jihadi terrorism in the UK. Peep Show was about oddball male friendship, perhaps even “masculinity”.

I guess the simple things at the heart of Succession ended up being Brexit and Trump. The way the UK press had primed the EU debate for decades. The way the US media’s conservative outriders prepared the way for Trump, hovered at the brink of support and then dived in. The British press of Rothermere, Maxwell, Murdoch and the Barclay brothers, and the US news environment of Fox and Breitbart.

The Sun doesn’t run the UK, nor does Fox entirely set the media agenda in the US, but it was hard not to feel, at the time the show was coming together, the particular impact of one man, of one family, on the lives of so many. Rightwing populism was on the march across the globe. But in the fine margins of the Brexit vote and Trump’s eventual electoral college victory, one couldn’t help but think about the influence of the years of anti-EU stories and comment in the UK press, the years of Fox dancing with its audience, sometimes leading, sometimes following, as the wine got stronger, the music madder. It was politically alarming and creatively appealing: to imagine the mixture of business imperatives and political instinct that exist within a media operation; to consider what happens when something as important as the flow of information in a democracy hits the reductive brutality of the profit calculation inside such a company. How those elements might rebound emotionally and psychologically inside a family as it considered the question of corporate succession.

For Logan Roy, Murdoch, Redstone and Maxwell were my holy trinity of models. But Conrad Black, Brian L Roberts of Comcast, Robert Mercer of Breitbart, Julian Sinclair Smith of Sinclair, Tiny Rowland, Rothermere, Beaverbrook and Hearst all fed in. The three central models were wildly different, of course: the self-made refugee Maxwell and the already-rich Murdoch, a scion of Australian journalistic royalty, both so different from the tough Boston lawyer Redstone who started with a couple of his father’s drive-in cinemas.

But they were connected by a strong interest in a few things: a refusal to think about mortality (Redstone and Murdoch both used to make the same joke about their succession plan: not dying); desire for control; manic deal-making energy; love of gossip and power-connection; a certain ruthlessness about hirings and firings. And most of all, an instinct for forward motion, with a notable lack of introspection.

Perhaps the best part of Redstone’s autobiography for a casual reader is the opening, where he recounts clinging by one hand to a hotel balcony through a fire. Despite suffering third-degree burns over half his body, years of rehabilitation, excruciatingly painful skin grafts, he says this event, after which he made all his biggest business plays, had no impact whatsoever on the trajectory of his life.

Whether due to all this grist, or the aligning of the political planets (in)auspiciously, the pilot came unnervingly easily. Getting names in a script to feel real can be hard for me – they’re a tell-tale sign of whether I’m living inside it. Kendall, Shiv, Roman, Connor. They all felt right straight off the bat. Their inspirations, I suppose, were the children of these magnates: three of the Maxwell kids, the ones closest to the business (the boys, Ian and Kevin) and to their father (Ghislaine). Brent and Shari Redstone, with whom Sumner played a tough and complicated game of bait-and-switch over CBS-Paramount succession. And the Murdoch children, Prudence, Lachlan, James, Elisabeth, Chloe and Grace.

But getting those names for the Roy children made them feel like their own individuals to me. It allowed me to pour in just what I wanted from the real world, fill each with all the faults they might have inherited, while giving me room to add some extra, just for them.

Greg and Tom came fast, too. Tom from two roots. One was thinking about the sort of lunks I’ve occasionally seen powerful women choose as partners. Plausible, manly men with big watches and a soothing affable manner. That mixed with the deadly courtier, a more 18th-century figure, minutely attuned to shifts in power and influence, an invisible deadly gas that occurs in certain confined places and rises to kill anyone unwise enough not to take precautions. A hanger-on sustained by some Fitzgeraldian illusions about the world, a sense that perhaps the rich really are different from us and a romantic ambition to make it in New York City.

Greg, I guess, was a distant relative of the sort of political adviser I had myself briefly been. Gormless, clueless, out of place and gauche. But not without an eye for a deal. And, I hope, a little more wheedling and insinuating than I ever was.

The scenes flowed. I put all research aside and followed my nose and wrote pretty much exactly what I wanted

The charge between these two semi-outsiders struck me from the start as toxic and comic. Tom, the interloper, is like an organism that has found a precarious but rewarding perch above some deep oceanic vent and adapted itself to conditions perfectly. He is not pleased at all to see a similar creature scuttling along hoping to share the same cramped evolutionary niche. That first half-bullying, half-provocative exchange they share in the outfield at a softball game in the pilot landed them right in the middle of a stew they’ve been cooking in ever since.

The scenes flowed. I had eaten a very large amount of research, but once I was writing I put it all aside and followed my nose and wrote pretty much exactly what I wanted. It felt funny but odd and broken-ended, fragmentary, abrupt, oblique and slightly brutal. When I emailed it off, I had the familiar feeling that Adam, Frank and HBO might email back to say not only was it not good, it wasn’t even actually, technically, a script. But their response was frighteningly positive. Almost as though the script was finished, after what was, I thought, a quick first draft. I think every other episode of Succession has gone to at least 30 drafts – usually 50. The pilot barely hit 15.

We had our read-through in New York on US election day 2016. Before we started, I made the sort of joke lots of people made that day, assuming the polls were right and Hillary Clinton was going to squeeze it. That night we gathered in Adam McKay’s apartment to watch the results roll in. Much later, I walked a long walk back from Soho to where I was staying near the United Nations looking at the electoral college numbers projected on to the Empire State Building.

We started filming the next day.

I still wonder whether Succession would have landed in the same way without the mad bum-rush of news and sensation Trump’s chaotic presidency provided. Trump wasn’t the firebombing of German civilians, and nor is Succession Slaughterhouse-Five, but I do sometimes think about Vonnegut saying no one in the world profited from the firebombing of Dresden, except himself.

This is an edited extract from Succession: The Complete Scripts – Seasons One, Two and Three (Faber & Faber), out now at £20 each. To support the Guardian and Observer, order your copies for £17.60 each from guardianbookshop.com.

The final episode of Succession airs in the UK on Sky Atlantic/Now on Monday. Jesse Armstrong donated the fee for this article to the Writers Guild of America strike assistance fund.


News

LIV Golf announces new pay-per-view option - 26th May 2023


"The hope for LIV is to grow off the success first seen on YouTube in 2022, where the league attracted tournament audiences of several hundred-thousand views in the U.S. and abroad."

Going forward, LIV Golf Series events will be available via a pay-per-view option on YouTube.

The new deal was detailed by James Colgan of Golf.com.

“Less than six months after signing a media rights agreement with the CW, LIV announced Friday that it has created a new, pay-per-view broadcast option to run on YouTube,” Colgan reported. “The PPV broadcast will cost $3 per tournament day, LIV said in a release announcing the decision, and will run in addition to the league’s agreement with the CW.”

Colgan also detailed that “A LIV source indicated that the CW is aware of the decision to introduce a pay-per-view model, and that the decision does not violate any of the league’s preexisting broadcast agreements.”

“The hope for LIV is to grow off the success first seen on YouTube in 2022, where the league attracted tournament audiences of several hundred-thousand views in the U.S. and abroad. The league already has its own direct-to-consumer subscription platform, LIV Golf Plus, which the PPV channel will run counter to. LIV broadcasts will continue to be streamed for free on the CW app.”

This announcement comes less than two weeks after a rather embarrassing moment for the tour. One week before LIV’s Brooks Koepka triumphed at the PGA Championship, the Saudi-backed golf series was in Tulsa.

On one hand, it was a perfect showcase event for LIV. Two of its most high-profile players, Dustin Johnson and Cam Smith, went to a three-way playoff (along with Branden Grace). But most of the people watching did not get to see Johnson’s eventual triumph.

The CW, the league’s primary broadcast partner, went away from coverage in the vast majority of its markets, showing “regularly scheduled programming.” Jim Nantz was quick to make a joke at LIV’s expense on the matter at the PGA Championship. The CW also announced a change, saying that all events will be shown to their conclusions going forward.

[Golf.com]



News

WWE Night Of Champions Reportedly Earned Highest Viewership Of Any Saudi Arabia Show - 31st May 2023

According to a report from Fightful Select, Saturday's Night of Champions PLE scored WWE the highest viewership out of any of the company's Saudi Arabia events since the partnership between the two began in 2013. The report states that Night of Champions brought in an 18% increase in viewership compared to last year's Crown Jewel event, and the company is reportedly quite happy with its holiday weekend results.

Night of Champions was headlined by Kevin Owens and Sami Zayn successfully defending the Undisputed WWE Tag Team Championship against Roman Reigns and Solo Sikoa of The Bloodline, with a major angle taking place on the show that saw The Usos turn on Reigns after more than a year of build-up and tension.This marks the second time a tag team match has served as the main event of a major WWE show in recent months. Additional matches on the show included Seth Rollins vs. AJ Styles to decide the first WWE World Heavyweight Champion, a singles match between Becky Lynch and Trish Stratus, and a Backlash rematch pitting Brock Lesnar against Cody Rhodes, among others.

To date, WWE has held nine PPVs and PLEs in Saudi Arabia, along with three house shows. Back in 2019, WWE announced that they had "expanded their partnership" with Saudi Arabia, and that they would be hosting two major events per year in the Middle Eastern nation through at least 2027. Though it hasn't been announced yet, WWE will likely return to Saudi Arabia for another Crown Jewel event later this year.


News

Pat McAfee Comments On Empty Seats At AEW Double Or Nothing - 31st May 2023

All Elite Wrestling's Double or Nothing pay-per-view took place this past weekend at the T-Mobile Arena in Las Vegas, Nevada. During the event, Wrestlenomics' Brandon Thurston tweeted images of empty seats inside the venue. Wrestling Observer's Bryan Alvarez also posted a photo from his ringside position, which showed many unoccupied places behind Orange Cassidy after he retained the AEW International Championship in a Blackjack Battle Royal. Former "WWE SmackDown" commentator Pat McAfee has weighed in with his thoughts. 

"Anytime you get a shot away from hard cam, you know what I mean, you can really see a lot of things," McAfee said on "The Pat McAfee Show." "AEW found out this weekend or whatever at one of their events, it's like three quarters of an arena completely empty. They don't want that photo out anywhere."

Ahead of the pay-per-view going live on Sunday night, WrestleTix revealed 10,229 tickets had been distributed for an 11,641 setup inside the T-Mobile Arena, leaving 1,412 tickets available. An Anarchy in the Arena match headlined the show, with Blackpool Combat Club's Bryan Danielson, Jon Moxley, reigning ROH World Champion Claudio Castagnoli, and Wheeler Yuta picking up the win in that bout against The Elite's Kenny Omega, Matt Jackson, Nick Jackson, and "Hangman" Adam Page. 

AEW's next major standalone show, All In, which will take place on August 27 at Wembley Stadium in London, England, has currently sold over 65,000 tickets and has a gate of over $8 million. No matches have been announced for AEW's first event across the pond as of this writing. Ticket sales for All In have slowed following an initial surge. 


News

WWE-UFC merged company to be called ‘TKO Group Holdings’ - 16th May 2023


A name has emerged for the group. 

Coming out of WrestleMania, it was announced by Endeavor that an agreement had been reached with WWE and the company would be merging with UFC to form a new sports and entertainment company. 

The deal has not been formally finalized but a name for the merged group has been revealed. CNBC’s Alex Sherman and Mike Calia published a story and an Endeavor spokesperson confirmed to the outlet that the new group is going to be called ‘TKO Group Holdings’. 

It will trade under the New York Stock Exchange as ‘TKO’. 

The merger between WWE and UFC is being valued at $20 billion. Endeavor CEO Ari Emanuel will be the CEO of TKO Group and Vince McMahon is going to serve as Executive Chairman.


News

Nick Khan Says WWE In Talks With International Cities For 2024 PLEs


It sounds as though WWE will continue expanding its PLEs into international markets next year. Speaking at the JP Morgan Global Technology, Media & Communications Conference, WWE CEO Nick Khan stated that the company was discussing the potential for additional overseas shows in 2024.

"We're in conversations now with a lot of international cities about doing 2024 shows there," Khan said. "Also, part of the intent is to match those up with our media rights, even if they're not up to over-deliver for incumbent partners who can then invite their partners in the international city to the event, and host them. It's good for our overall business." Khan's comments came as part of a conversation about countries offering subsidies to WWE for bringing shows there, as the company brings a great deal of revenue to the city for major events. Khan cited recent events in Puerto Rico as well as the Dallas, Texas area as examples.

Previous rumors pointed toward Australia as a potential location for a future international WWE PLE. However, it's unknown if negotiations with the country have progressed in the months since.

WWE has steadily ramped up its major international shows over the last five years, with the company holding several yearly events in Saudi Arabia, as well as last year's Clash at the Castle and the upcoming Money in the Bank both being held in the United Kingdom. It seems fans around the world should stay on the lookout for upcoming announcements regarding WWE's international schedule in 2024.


News

“We Let People Go”: Months After $21.4 Billion UFC-WWE Deal, Endeavor CEO Recalls “Horrible” Time for Organization - 2nd June 2023


The year 2020 brought unprecedented challenges for individuals and organizations alike, and the UFC was no exception. The promotional frontman Dana White has reflected on those uncertain times and shared the struggles the organization faced in keeping things going. Despite the pandemic, White was determined to keep the show running and provide entertainment for fight fans worldwide. While the rest of the world was shut down, the UFC managed to organize consistent events, albeit on a smaller scale. However, this arduous journey was not without its fair share of hardships.

Ari Emanuel, the CEO of Endeavor, the parent company of the UFC and William Morris Endeavor talent agency, revealed the significant challenges they encountered during the COVID-19 pandemic. Even though Endeavor recently secured a massive $21.4 billion deal to acquire the WWE, during the COVID-19 days, the company found itself at rock bottom struggling to stay afloat.

When Covid-19 posed a threat to the UFC

In an interview on the “Freakonomics Radio” podcast, Emanuel shared how the pandemic affected the company financially. During the interview, podcast host Stephen Dubner asked Emanuel, “Did you think COVID might kill Endeavor?”. Reflecting on this, the 62-year-old CEO replied, “It was bad,” He continued, “I’d never had to fire that many people.”

Emanuel mentioned that the continuation of UFC fights during the pandemic played a crucial role in saving the company, accounting for approximately 70% of their revenue that year. Further talking about the struggles to keep the organization alive during the pandemic, the Endeavor CEO stated, “We had our ESPN deal. We then started making deals for writers. So we stored all the cash. We didn’t let anything out. We let people go, which was horrible, or furloughed them.”

Through the storm, Endeavor’s leadership team, led by Emanuel, proved to be the lighthouse that guided them to safer shores. The UFC’s resilience and the implementation of innovative strategies, such as the ‘Fight Island’ events, not only salvaged the company but also became a beacon of hope for other professional sports leagues.


News

“Very, Very Easy for Jon Jones”: Ex-UFC Star Ruthlessly Shuts Down Tyson Fury Days After Boxer’s Callout of UFC Champ in Ugly Public Feud - 1st June 2023


The claim made by Joe Rogan that Tyson Fury would stand no chance against Jon Jones has sparked an intense and never-ending debate. Recently, another prominent figure from the UFC, the world of mixed martial arts, has jumped into this heated discussion. However, ‘The Gypsy King’ himself strongly opposed the take of the UFC commentator and didn’t hold back in expressing his views. In fact, he went as far as bashing Rogan and proudly proclaimed himself to be ‘the baddest man on the planet’.

As the back and forth continued between Fury and Rogan, UFC president Dana White has stepped in, proposing a potential fight between Fury and Jones. However, the WBC heavyweight champion firmly refused to step into the octagon, dismissing the idea altogether. This decision faced an immediate backlash from fans who had eagerly anticipated the materialization of this debate inside the fighting arena.

Despite the disappointment felt by fans, it becomes evident that the 34-year-old boxer has no intention of venturing into the octagon. On the contrary, a former UFC welterweight challenger believes that Fury would fare well in the realm of mixed martial arts. However, he warns that there may be unforeseen challenges along the way.

Tyson Fury will have a Jon Jones threat in MMA

During a recent interview, the former UFC fighter Dan Hardy shared his reflections on the latest happenings in the combat sports world, ranging from boxing to MMA. However, it was the Tyson Fury-Jon Jones debate that took center stage.

The 41-year-old Hardy began by heaping praise on ‘The Gypsy King’ for his potential in MMA, stating, “Tyson Fury doesn’t come from a boxing background. He comes from a fighting man background. Tyson Fury sees himself as a fighter first that boxes, and I think he looks at mixed martial arts and sees lots of ways he can capitalize on the changing of the rules.”

Continuing his analysis, Hardy mentioned Fury’s collaboration with Tom Aspinall and how he has showcased proficient elbows and knees in the videos shared with him. ‘The Outlaw’ confidently stated, “I feel like Tyson Fury would be really good if he crossed over to mixed martial arts. Of course, there’d be a lot for him to learn. The main issue would be, he’d be very, very easy for Jon Jones to take down. And I think that’s something that Tyson has not experienced and has not and has not really quite comprehended.”

Meanwhile, Jon Jones recently made a strong statement in his heavyweight debut, securing a first-round victory against Ciryl Gane at UFC 285 after returning from a three-year-long hiatus.

This certainly explains Dan Hardy’s warning to Tyson Fury. How do you think ‘The Gypsy King’ would fare in MMA? 


News

Dwayne Johnson to Return as Luke Hobbs in New ‘Fast and Furious’ Standalone Film - 7th June 2023


Dwayne Johnson is returning to the “Fast and Furious” universe with a new standalone film, reprising his franchise role as Luke Hobbs.

Universal Pictures announced the project on Thursday. Longtime “Fast and Furious” collaborator Chris Morgan wrote the untitled film’s script. Plot details were not available, though individuals familiar with the deal said the new movie will bridge between the events of the just-released “Fast X” and the upcoming “Fast X: Part II,” which is expected in 2025. Johnson just appeared as Hobbs, a diplomatic security service agent, in a credits scene for “Fast X.”

Johnson will produce the film with Dany Garcia and Hiram Garcia for their Seven Bucks Productions, along with Vin Diesel and Samantha Vincent via their One Race Films. Additional producers include Chris Morgan for his Chris Morgan Productions, Jeff Kirschenbaum for Roth/Kirschenbaum Films and Neal Moritz for Original Film.

Screenwriter Morgan wrote and produced “Fast and Furious Presents: Hobbs & Shaw” and “The Fate of the Furious.” He’s also scripted and executive produced the fifth, sixth and seventh entries in the franchise. Directed by Louis Leterrier, “Fast X” opened at No. 1 around the world in May with $320 million and became the second-biggest global opening of 2023.

Johnson announced Hobbs’ return with a video posted to social media with the caption: “Your reactions around the world to Hobbs’ return in ‘Fast X’ have blown us away. The next ‘Fast & Furious’ film you’ll see the legendary lawman in will be the Hobbs movie that will serve as a fresh, new chapter & set up for ‘Fast X: Part II.'”

“Last summer Vin Diesel and I put all the past behind us,” Johnson added. “We’ll lead with brotherhood and resolve – and always take care of the franchise, characters & fans that we love. I’ve built my career on an ‘audience first’ mentality and that will always serve as my north star.”

Johnson is repped by WME, lawyers Gang, Tyre, Ramer, Brown & Passman, Inc. and The Lede Company.

Seven Bucks has co-produced films like Disney’s “Jungle Cruise” and the DC Studios entires “Black Adam” and “DC League of Super-Pets.” Original series include NBC’s “Young Rock” and “The Titan Games.” Johnson will next produce and star in “Red One” at Amazon Studios and Disney’s live-action “Moana.”


News

13 States Comment On Possibility Of Allowing Gambling On WWE Matches


In March 2023, CNBC reported that WWE was working toward legalizing gambling on wrestling matches, enlisting the services of accounting firm Ernst & Young, with Michigan, Colorado, and Indiana mentioned as the initial targets. As of now, betting on WWE matches is only available at offshore sportsbooks like BetOnline.ag, based out of Antigua, and Bovada, based out of Latvia. Betting on matches in America would open up new streams of revenue for WWE and add some mainstream legitimacy to the sports entertainment powerhouse.

Since that report broke, however, it's been nothing bad news for WWE in the gambling department. Dave Meltzer has reported that WWE's efforts aren't going well — Colorado denied talking to WWE and said that "By statute, wagers on events with fixed or predicted outcomes ... are strictly prohibited in Colorado." Indiana told Casino.org that it had "no interest in approving wagering on scripted events," and Michigan also denied any recent talks with WWE, while New Hampshire Lottery Commission executive director Charlie McIntyre deemed it "very unlikely" betting on WWE gets approved in New Hampshire.

In light of this, Wrestling Inc. reached out to multiple states about the possibility of legalized betting on WWE matches. Each gambling commission was asked 1) how likely WWE would be to succeed if they pitched gambling on matches to them, and 2) if there were any regulations, laws, or statutes that barred betting on something with predetermined outcomes. 13 states -– Arizona, Connecticut, Iowa, Maine, Maryland, Massachusetts, Montana, New Jersey, New Mexico, Ohio, Oregon, South Dakota, and Washington -– responded. While their responses varied slightly, overall, they paint a picture of increasingly fewer opportunities, and increasingly more obstacles, for legal gambling on WWE matches to get approved.

At least three states say they wouldn't allow gambling on WWE as a matter of policy, even if there are no explicit laws against it.

Kerry Hemphill, Manager of Sports Betting Product at the Oregon Lottery, made it clear that gambling on WWE wouldn't be allowed as a matter of policy in the Beaver State: "Although there is no law or statute that forbids it, Oregon Lottery sports betting policy is to not accept wagers on scripted events with predicted outcomes."

Seth Elkin, Assistant Director of Communications for Public Affairs for Maryland Lottery and Gaming, also told us his state had made a determination on the matter. "Maryland's sports wagering law and regulations prohibit forms of wagering that are contrary to public policy or unfair to bettors," he said. "We've determined that it is unfair to bettors, and therefore not in the public's interest, to accept wagers on sports entertainment events that have predetermined outcomes, like professional wrestling."

Meanwhile, a representative from the South Dakota Department of Revenue simply said, "WWE wrestling matches would not be eligible for sports wagering in South Dakota."

Iowa and Ohio say no to betting on predetermined events


Two more states said that predetermined events weren't permitted, but made a point to highlight policy and procedure. Brian J. Ohorilko, Administrator of the Iowa Racing and Gaming Commission, also shot down gambling on wrestling for the time being.

"Predetermined events are not permitted in the State of Iowa," he told Wrestling Inc. "Iowa law defines and permits professional sporting events and sports-related events; however, fixed or predetermined outcomes are not explicitly permitted. As such, and for other integrity concerns, the commission has not permitted predetermined events in any of the approved wagering markets."

Ohorilko also brought up the process that would be required for any kind of legalization: "From a practical standpoint, any request would need to come with a legal opinion as to how this would be permitted under Iowa law," he said. "It would need to go through legal review with consultation from the AG office. If legal review passes, the commission would still need to review policy and integrity concerns with respect to the activity having predetermined outcomes. Approval would be needed before this type of wagering activity could take place."

Ohio tells a similar story. Jessica Franks, Director of Communications for the Ohio Casino Control Commission, pointed us towards Rule 3775-11-01 of the Ohio Administrative Code — the process for adding to Ohio's catalog of wagers and events. She said the Commission's review of such requests includes, but is not limited to, the following criteria:

The quality of the governing body's documented integrity program.

The general availability of information related to the governing body.

The professional or skill level status of athletes.

The history of integrity related to events sanctioned by the governing body.

This already puts the WWE in shaky territory, but it's seemingly locked out for good with the following consideration: "Please note that the Commission will not approve requests for wagers/events involving 'Events which are pre-recorded or in which the outcome has been otherwise previously determined.'"

Arizona and Connecticut have laws against betting on fixed outcomes

At least two states have laws in place that would ban gambling on WWE matches.

Max Hartgraves, Public Information Officer at the Arizona Department of Gaming, provided a straightforward statement: "Arizona statute prohibits gambling on fixed events."

Meanwhile, when asked how likely WWE would be to garner approval for gambling on matches, Kaitlyn Krasselt, Communications Director at Connecticut Department of Consumer Protections, said "I cannot speculate on that." That said, she did inform Wrestling Inc. about state regulations on gambling: "Connecticut law only allows wagering on sporting or athletic events. WWE is sports entertainment. The 'matches' are predetermined by the company and are scripted. There is no regulation body for professional wrestling, and WWE is one of several companies that offers this type of entertainment. With a predetermined outcome, this would not be considered a sport. It is considered entertainment. Wagering on the Oscars, for example, is also not permitted in Connecticut."

That last part is significant, since CNBC's report mentioned that WWE executives were using Oscar betting as an example for regulators.

Maine and Montana agree with most of their colleagues

Two states specifically cited the statements from Colorado, Indiana, Michigan, and New Hampshire in their responses. After hearing that four other states had expressed skepticism over betting on WWE, Maine Gambling Control Unit Executive Director Milton Champion said, "On the surface, without looking into the matter, I would concur with my colleagues. Operators will submit with their application events that they want to take wagers on, and I shall approve them."

Daniel Iverson, Content Manager for the Montana Lottery, said something similar. "Montana does not intend to add WWE markets, for the same reasons our counterparts cited," he advised, before directing any questions on state law to the Montana Department of Justice Gambling Control Division.

New Jersey and Massachusetts punted, for now

Two states we contacted declined to comment on the matter, not wanting to address issues that haven't come before them yet. Thomas Mills, Communications Division Chief of the Massachusetts Gaming Commission, said, "I appreciate your question, but am unable to speculate on a hypothetical action the Commission may or may not take."

Dan Prochilo, Public Information Officer at the New Jersey Attorney General's Office, responded that "The Division of Gaming Enforcement (DGE) cannot comment on any hypothetical discussion with an operator or league about future sports betting opportunities." He added that "In New Jersey, an entity seeking permission for a contest to be authorized for wagering on a sports event is required to submit its proposal to DGE for evaluation and approval pursuant to state law and regulations."

Prochilo also provided the state's legal definition of a "sports event" for the purposes of gambling. Notably, it includes the phrase "A 'sports event' shall include any live competition or talent contest, including awards competitions[.]"

New Jersey and Massachusetts are two of the only states that allow betting on the Oscars, with New Jersey okaying it in 2019 (the first state to do so) and Massachusetts greenlighting it in 2023. It's unknown if WWE will approach either state or how each state would respond, but at bare minimum, WWE's argument to treat wrestling like the Oscars for betting purposes might carry some weight.

Washington and New Mexico illustrate the challenges of Tribal gaming

Washington is unique among the states who responded to us, in that sports wagering is only available on Tribal lands yet still regulated by the state. Sports wagering was legalized, subject to terms of Tribal/State Compacts, on Tribal lands in 2020. All wagering, even online betting, must take place on Tribal lands, and each casino decides bets within certain limitations. The Angel of the Winds Casino and Resort and the ilani Casino Resort, for example, don't 100% overlap on sports offered for betting.

But WWE, or any wrestling, won't be joining those offering under current rules and regulations. Dan Wegenast, Agent In Charge for the Tribal Gaming Unit of the Washington State Gambling Commission, pointed Wrestling Inc. towards the Tribal/State Compacts for sports wagering. He also stated that "Washington State law and the Tribal/State Compacts for sports wagering ... prohibit wagers on events with known outcomes."

To further illustrate the complications of garnering approval for gaming on Tribal lands, a representative from the New Mexican Gaming Control Board told Wrestling Inc. that sports betting is illegal in their state, but legal with some Tribes. That said, New Mexico does not regulate Tribal gaming, meaning that approval would likely have to be worked out with each Tribe individually.

There are other obstacles, too

It's worth noting that gambling laws are constantly changing. Many states without gambling –- such as North Carolina -– have spent years hammering out legislation that would approve gambling off Tribal lands. Additionally, for states with legalized gambling, internal policies are not inherently laws, and can be subject to change under the right circumstances.

That said, even if WWE manages to get gambling on matches approved anywhere, that's only one part of the battle: They still need casinos and/or sportsbooks to be willing to accept wagers at all, and there's resistance in this field, as well, as demonstrated in subsequent coverage from CNBC. FanDuel deems it unlikely that they'd ever accept bets on WWE, noting that the Academy Awards –- which held once per year -– are vastly different than dealing with WWE's weekly programming. Additionally, when BetCEO Adam Greenblatt was asked if he had any interesting in accepting bets on WWE, he responded "NFW."

Between the overwhelming majority opinions of the 13 states who responded to Wrestling Inc., the states that have already responded, and the reluctance of sportsbooks to include anything that looks less than credible, WWE faces an increasingly uphill battle if they want to make betting on wrestling matches legal anywhere in the United States.